What better way to spend the longest month of the year than getting stuck in to a whole load of fresh music? From hot new singles to highly anticipated album releases, 2022 has come in hard and fast with some brilliant material and I can’t wait to hear even more.Continue reading “Listen 2022: January Highlights”
Going To Hell is the debut solo LP from Muncie Girls’ Lande Hekt, offering something a little more personal in prose that is both poetic and to the point. This album sees Hekt open up about her journey of coming out and embracing her truth within heteronormative culture.Continue reading “Review: Lande Hekt – Going To Hell”
Yore is the latest project from East London music creative Callum Brown. Having previously worked with the likes of Mint Field and Ulrika Spacek, Yore is an opportunity for Brown to experiment further. Nevertheless, the upcoming album shows that this is by no means a solo affair. The self-titled debut, set for release on 4th December, succeeds wonderfully in its bid to celebrate indie collaboration. From Dream Wife’s Rakel Mjöll, to White Flowers’ Katie Drew, this is certainly something I could not resist listening to over and over, so it only felt right to get some more insight on it all from Callum himself:Continue reading “Q&A with Yore”
Emotive, personal and downright magnificent are just a few words that you could use to describe the latest offering from The Last Dinosaur. Wholeness is the third album from Jamie Cameron under this moniker; an incredibly immersive piece of art, and a real testament to the power of his musical creativity. With some work on this release having been started in 2012, it is by all means a long time coming, but something about that makes each note sound more refined. Every little bit counts towards something important, each element standing out in a different way with every listen.Continue reading “The Last Dinosaur – Wholeness: A Profound & Personal Journey”
One of my favourite things about music has always been the way in which we consume it. I have never cared about perfection, nor how to define a sound. I often struggle to describe bands to people based on what they sound like. In a world full of such technology it just makes more sense to pull out your phone, open Spotify and press play. However if you want to talk about what the band are about, what they mean to me, or to others, then I am absolutely here.
I wouldn’t necessarily call myself a country music fan, but during a writing slump I decided to pick up this review opportunity and it was surprisingly inspiring.
Though not exactly my taste in music, I was enamoured by the passion behind this album and the feelings that it evoked. Countries is a truly profound album with a heartfelt story as Van William explores heartbreak in many ways, from the loss of his family business, to the ending of a six year relationship.
For me, 2017 was the year of amazing albums; these came in abundance from exciting debuts, to bold new releases from some of my old favourites. When it came to writing the yearly round up with Vulture Hound, it was the latter that got my attention.
Where do I start with this band? From the moment I heard ‘Moaning Lisa Smile’, I knew I was hooked. It was just one of many songs introduced to me by my boyfriend at the time. Our tastes in music were fairly matched, and he especially had a good ear for bands that I would adore.
It has been nearly a week since Superfood released their absolute belter of a second album and I still can’t get enough. I hadn’t written anything in a little while and wanted to get back on track with it all. I think it’s safe to say that the press release for Bambino came just in time.